![]() ![]() Requires a re-examination of her treatment of Freud's OedipalĬomplex, a concept she resisted even while employing it. Woolf's overlay of Egyptian gods on the Ramsay family Myth and from The Book of the Dead, a reflection of Woolf'sĬlassical reading and of the rampant "Egyptomania" of theġ920s. Symbols, characters, and narrative elements taken directly from Egyptian To the Lighthouse has yet another layer, imbued with images, Whole is always larger than the scholars' interpretive findings. Staying power is that while all these characterizations can be true, the Materialism versus spiritualism (Gaipa), and a struggle against the (Abel), an oblique satire of imperialism/colonialism (Seshagiri), anĪesthetic debate of Moore versus Fry (Ingram), a battleground of ![]() With Freud's Oedipal theories anticipating a feminist psychology ![]() Novels and an elegy for her parents, it is also seen as a confrontation ![]() To the Lighthouse is many things to many readers and critics.Īcknowledged as the most autobiographical of all Virginia Woolf's APA style: Virginia Woolf's Egyptomania: Echoes of The Book of the Dead in To The Lighthouse.Virginia Woolf's Egyptomania: Echoes of The Book of the Dead in To The Lighthouse." Retrieved from 2018 Pace University Dba: Pace University Press 10 May. MLA style: "Virginia Woolf's Egyptomania: Echoes of The Book of the Dead in To The Lighthouse." The Free Library. ![]()
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